And the blog tour rolls on with some new and rather nifty looking titles. Don’t forget to comment…you could win an awesome prize, and I could be like, aha, see? I’m you’re good luck charm. Or not.

Visit the Vacation Reads Blog for more info on prizes and to leave a comment.

NATIVE VENGEANCE by Julie Achterhoff

Julie Achterhoff is the author of three books, Native Vengeance, Quantum Earth,
and Deadly Lucidity. They are paranormal thrillers. She grew up reading such
authors as Stephen King and Dean Koontz, which influenced her own writing. She
has been writing since childhood, scaring her teachers with her horror stories.
Reading has also been a great influence on her. Her books can be found on in regular form, and now on Kindle for $3.19 a piece. They can also
be purchased from the publisher at You can read
parts of her books on BookBuzzr.

Why did you become involved in your particular genre?

I just love scary stuff! It’s exciting for me to write stories that will scare
people and make them wonder if something like that could really happen. When I
was a kid I read every scary book I could get my hands on. I loved H.P.
Lovecraft and others that kept me up at night. I enjoy creating characters who
are strong, yet also vulnerable, so the reader can relate to them throughout the

story. I also enjoy writing a strong storyline that will keep readers engrossed
until the very end. I also like adding a romantic element in my books. I think
that gives them a little spice. I believe that thrillers are the most
interesting books. They can really get to you!


AETHER AGE ANTHOLOGY, edited by Brandon Bell

A past remade…

Millennia ago, Greece, Egypt, and other civilizations experienced industrial
revolutions beneath a sky that, in a blink of history, burgeoned into life and

With one intervention to human progress, technological civilizations arose.
With one more fantastic change in Nature, humanity broke the bonds of Earth and
ventured out into the aether…

Take flight on airships, balloons, and wooden rockets. Soar with winged
hoplites, exiled princesses, explorers and philosophers. Witness the struggle
for equality, freedom, and power like you never have before.

Explore a history transformed and travel into the heavens to discover what
awaits the civilizations of Humanity in…

The Aether Age: Helios

Book One of the Aether Age Codex

Book Club Guide Included


Jaym Gates and I are both taking this chance in the Vacation Reads blog tour to
talk about the same book, The Aether Age: Helios, due out later this year (in
time for your winter vacation!). She is writing about the anthology from the
perspective of writer and I am writing from the perspective of editor.

Aether Age: Helios was my first crack at working as editor. By the time Aether
Age grew into something almost ready to open to submissions, Chris Fletcher made

the offer for me to co-edit the anthology, probably on the basis of my
involvement to that point, coupled with what he knew of me as a writer. Being a

decent writer does not equal a decent editor, but I’d also done the guest post
on M-Brane outlining my ideas about what makes a good story, so Chris must have
believed he had enough data about what kind of editor I might be to feel some

I’ve read interviews with editors that I respect and blog posts by writers
discussing their experience in magazines and anthologies. Writers sometimes
feel betrayed by the inclusion of another story, or otherwise compromised due to

an inclusion, exclusion, or lack of editorial vision. And depending on the
lens, Chris and I could look either terribly unpromising or a potential win –at

least in the matter of a diversity of views: two white guys (ah, hmmm), a gay
guy and a straight guy (oh, could be interesting), a non-christian and a
buddhist (really?). All these are just details, though. Diversity was never
even a discussion we had, it just happened. I’m happy on this point: we have a
nice balance of female to male and a great world-spanning contributor list.

Ok, but what about the stories?

Yes, that’s what matters. I won’t name names, but I find reassurance that the
tale I liked least during our reading period has grown into one of my
favorites. Story, well told, trumps the most jaded of reader expectations.

Our guiding editorial principle was simply to cover the range of time envisioned

with interesting tales that varied in tone. We didn’t want a bunch of dark
stories or only stories that dealt with swashbuckling and adventure. Though AeA

has all that.

Some of the stories are not ‘my type of tale’. Not the sort of thing I’d
typically read. And I’m really happy about those stories. I know a book like
Aether Age, so difficult to blurb or explain, is going to be a hard sell for
readers of a more romantic or mainstream bent, but I wish I could put it in the
hands of exactly that reader. There’s just enough darkness, danger, and
adventure to make the gentle moments and so very human relationships echo in the

way that only seems to happen when a set of stories are presented as facets of
their own history.

We all love superstars. Having a superstar in AeA would help sell copies, for
sure. Well, we didn’t get the literary equivalent of U2 or The Beatles. And
that is good. If you are like me, you’ve had that pet band you know and love
that just never attained the household name-recognition of the superstars. The
Mars Volta, The Tragically Hip, Arcade Fire, Portishead… notwithstanding my
Canadian readers for whom a couple of these ARE huge bands, down here in Texas
these are the good stuff that no one seems to know about.

Maybe we have some future superstars in our midst among the AeA table of
contents. We certainly have writers who are widely published and making names
for themselves. But for now, here’s the short story equivalent to the
‘educational mixtape’ you might put together in the hopes of pulling your
hopelessly misled buddies away from Lil Wayne and Justin Beaber.

In that same spirit I present to you The Aether Age: Helios. For your enjoyment

and edification. 😉


THE KULT by Shaun Jeffrey

My name’s Shaun Jeffrey, and having grown up in a house in a cemetery, it’s
pretty safe to assume I was never going to be writing love stories, and perhaps
goes some way to explaining my attraction to the dark side of the literary

I’ve been writing on and off for around twenty years, and it never gets any
easier. But then that’s all part of the challenge and the fun. If it was easy,
everyone would be doing it, and while everyone may have a story to tell, not
everyone can tell it.

Now along with cover pictures, I think taglines are important. They sum up the
story in as few words as possible and hopefully entice readers to buy the book.
Or at least to give it more than a passing glance. ‘People are predictable.
That’s what makes them easy to kill.’ That’s the tagline to my novel, The Kult,
which is a fast paced serial killer story that contains a mix of horror, crime
and mystery. The book was optioned at the end of last year by Gharial
Productions, and shooting on the film begins in September.
www.gharialproductions.comIt will be interesting and exciting to see my story
brought to life, a story that award winning author Jonathan Maberry called ‘a
bumpy ride through nightmare country’. I have two other novels available,
‘Deadfall’ – when the dead won’t stay dead there’s going to be hell to pay. And
‘Evilution’ – humankind is about to change.

Details of these and any other projects can be found on my website: and sample chapters and my previously published short story

collection ‘Voyeurs of Death’ can be read for free at

The Kult – People are predictable. That’s what makes them easy to kill.




“This sharp and brilliant novel shows that truth cannot be seen from the
outside. You’ll absorb every anecdote’s last detail as real human connection
resurfaces and these women take steps to become the people they’ve always
dreamed they’d be.” – Elle

“Stellar….” – Publishers Weekly

“This is the classic read-it-in-one-big-gulp book. Or spend several days at the
beach with it; compelling from first page to last – edgy, moving, human.” – Liz

“A mesmerizing novel. ….the characters in this moving novel are achingly
sympathetic, their plights imminently relatable.” – Booklist (starred review)

“These New York stories will remind some readers of Parker—as in Dorothy, not
Sarah Jessica.” Kirkus Review

Based Upon Availability delves into the lives of eight seemingly ordinary women,

each who pass through Manhattan’s swanky Four Seasons Hotel. While offering
sanctuary to some, solace to others, the hotel captures their darkest and
twisted moments as they grapple with family, sex, power, love, and
death. Trish, a gallery owner, obsesses over her best friend’s wedding and
dramatic weight loss. Robin wants revenge after a lifetime of abuse at the hands

of her older sister. Anne is single, lonely, and suffering from
obsessive-compulsive disorder. Drug-addicted rock star Louise needs to dry out.
Southerner-turned-wannabe Manhattanite Franny is envious of her neighbors’
lives. Sheila wants to punish her boyfriend for returning to his wife. Ellen so
desperately wants children, she’s willing to pretend to be pregnant. And Morgan,

the hotel manager— haunted by the memory of her dead sister—is the thread that
weaves these women’s lives together. In this an utterly original read, I try to

ask and answer the age-old question; ‘what happens behind closed doors’ while
examining the walls we put up as we attempt intimacy, and inspecting the ruins
when they’re knocked down.

Alix Strauss

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