I finally finished the first draft of the new book. I am tempted to email my publisher to find out if slightly over 100,000 words is OK for a book…I think it is…but it might change the price point, so I go back and forth. I want to write an amazing, non-bloated, perfect book that will make everyone happy, so I’ll just look at it in the second draft and weigh and measure everything carefully.

It’s a good book, though. I feel about it like I felt about The Chocolatier’s Wife…it came out so easily, except the end, which I feel is problematic and does not exactly evoke the feeling I want. There will be a lot of work done there, in the second draft.

I don’t know if I ever talked about the second draft process. It’s going to be slightly different this time. When I usually do the second draft, the first part is to print a copy I can scribble all over, hole punch it and put it in a binder. I accidentally printed this one double sided, (I default to double side because I like to try and be decent to the environment whenever possible) so I will probably keep a stack of lined note paper handy, and insert it next to the page. A (very) long time ago I used to write my books long hand, so I have, hoarder that I am, tons of lined note book paper that I would get on sale. See? Hoarding can be useful.

The reading process will combine two things this time. Usually it’s just comments — I say things like “Need to expand this scene” or “Are his eyes always this color?” “Do we need this?” “Do I deal with this later?” “Need to go back and make sure that we mention this in previous chapter so it makes sense later.” So I’ll mark the copy up, ask a lot of questions. That’s par for the course. Then I will lay the binder open next to my computer, open the file, and start answering those questions.

This time, there will be an added step. I’ve been using Liquid Story Binder to keep track of facts about the characters and the world…when I decided to write a sequel to Chocolatier’s Wife I actually read the book and started a file so that everything would be consistent in the sequel. I wanted to make sure that everything was the same, so I created character dossiers, even for the Wind Sprites, and wrote down every detail of the world that I could, so that there is consistency. I know I am going to write a sequel to The Key to All Things so I need to do this as I go this time, get the data down so I can create dossiers. I also may use Scrivener, and split this book up into chapters as I go.

The dossier for CW will be useful, also, because The Key to All Things takes place in the same world…and the Pandroth Empire plays a very tiny part that will become much more important later. I have this odd little network of books in my head that all take place on the same planet. It’s fun, to create the connections in my head, and I think it makes the world feel more round and real.

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